DWC Project: Stephanie + Justin Wedding Invite

It's Wedding Wednesday! It's been a long time since I have blogged, and I do miss it, only if I had a few more extra hours in the day. Anyway, I have something lovely to share today as I blog from my family vacation in Leland, Michigan. :)

So this is one of the many things that I have been up to in the world of Design With Chon. My newest wedding client, Stephanie + Justin, came to me to help them visually define their special day which is only a few months away – 11.11.11. Stephanie already had her colors defined, selected her key vendors such as church, wedding dress, venue, cake bakery and florist, but she was unsure what statement or visual theme that she wanted her guests to take away from her wedding day. In addition, she wanted the invitation + event collateral (escort cards, program, table #s) to be visually branded into one umbrella idea. And that's where my design eye came into play.

After I had my first meeting with Stephanie, I essentially knew what she was going for, and instantly, the ideas were brewing in my head. I always get excited for new creative projects like these. Immediately, I jotted some notes into my notebook. I love to think about the bigger picture and think + design all the way down to the little details such as the escort card on the table.

Before I even began designing the invitation set, I started with a moodboard as usual to make sure the client is on board with the design direction. This wedding is in November, she had fall-like colors, but she didn't want an Autumn, leaf theme. She wanted to embrace certain rustic elements, but rather communicate elegance, sophistication and have it be warm + inviting for her guests. And my design solution to her visual concerns was "An Enchanted November" wedding theme.

An Enchanted November

Main Colors: Mocha + Golds
Accent Colors for Contrast/Pop: Cranberry Red + Orange Marigolds
Texture + Interest: Rustic sophistication, embracing nature elements, but richen them with warm, bold hues in florals + textural linens, allow for drama by creating height and dimension with flowing, suspended forms like red Amaranthus floral and structural branches like Manzanita or Curly Willow for the centerpieces. And to top all these visual layers off, add some glitz with jeweled, crystal chains for embellishment.
Invitation: Incorporate nature elements, wedding color palette, wedding date - 11.11.11, the Letter "H" and the glitz will come through with the pearlescent paper stock.

For the invitation + wedding day event collateral, the key defining element that will be branded across all wedding components is the "H" monogram which stands for the groom's last name. To make it as unique as possible for Stephanie + Justin, I deconstructed the letter "H" by replacing the connecting bar with a graphic branch. I created depth and interest by playing with rich, deep gradients composed of the mocha + cranberry hues. The 11.11.11 date is written in a classy, but in a not-so-stuffy script typeface below the monogram in the invitation set.

[Monogram + Invitations Set ©2011 Design With Chon]

The main invite is a one-folded card with a loose, self mailer RSVP card. For the typography, I wanted it to be soft + bold, and have it flow + move by using different opacity levels. Also, I broke it up by having the information across two pages.

The full invitation set is going to be printed in 4-color process on a warm, champagne, pearlescent paper stock. The tonal ranges of the deep red + chocolate gradient will be contrasted and perfectly balanced by open areas of the iridescent, glitz-like paper. Not reflected in the image above, but see where the white areas are, imagine it in the pearlescent paper in its place. And it's all going to be housed in an opaque, chocolate, square flap envelope. For the envelope, we are either going with white foil stamping for the return address, or a custom, rectangular label that will wrap around the left edge of the envelope (not seen above).

Stay tuned for the final printed product in roughly two weeks! It's going to look even more spectacular.

CSW Magazine "Designer's Challenge": Behind The Scenes

Thank goodness for Fridays, and it's a beautiful day to be out! Normally on Friday, I share my topic for bridging the design gap between business, events + interiors, but today I am going to show you a behind the scenes look into the Chicago Style Wedding Magazine "Designer's Challenge" photo shoot that happened back in March of this year. I had to keep all the images + videos hush hush until CSW Magazine launched and published it, and that's what happened this past Wednesday.

Technically, you could say this post covers business, events + interiors, because aspects of my logo + branding background was integrated into the thought process of the invitation and the matching event collateral pieces. As you can see, the iconic monogram was splashed all over the "Art Deco Meets Old Hollywood" themed wedding event that was concepted by the fabulous Master Bridal Consultant, Frank Andonoplas of Frank Event Design that I had a pleasure to work with on this "Designer's Challenge". And we can't forget that the tablescape and all it's surrounding elements are harmonious with the interior environment creating a mood that is captivating, rich, warm, and definitely a dinner reception that any guest would be delighted to attend.

First, I want to highlight the creative process that went into developing the invitation set + event collateral for the "Art Deco Meets Old Hollywood" theme. Before the design came into fruition, I had several conversations with Frank, the planner/stylist, for the look of the invitation. Key words thrown out were Art Deco, Hollywood Glam, Architectural, Black, White + Gold, and of course, it had to be bold, graphic and make a visual statement like the genre that we were going after.

I began with developing an iconic, logo-like monogram that I knew I could repeat graphically + brand across all the extension wedding pieces (menu, place cards, drink coaster, cake). For the invite, I placed the monogram at the top so it would be the visual focal point, and then everything else around it would branch out and balance the visual playing field. I used 2 different fonts, but similar in character so they didn't clash. With the linear lines, I wanted to create structure, shape + movement so it forced your eye to move around the space, similar to what architecture does. In addition, I hand cut the corners to match the movement of the lines and added some glitz with hand applied black crystals.

[Invitation/Event Collateral ©2011 Design With Chon, LLC]

This is definitely not the cookie-cutter layout. Each printed piece was custom designed and tailored to have it's own feel, but still visually cohesive. Click here to see the full collection of images for the "Art Deco Meets Old Hollywood" invitation set.

Now it's time to see the actual photo shoot that the whole invite set was designed for, and here's the whole team that made it happen! Visionary credit for the whole thing of course goes out to Frank Andonoplas, Master Bridal Consultant, who is well known in the Chicago area and recognized for his social planning expertise in the world of wedding + events. Please excuse the photo quality; they were taken with my iPhone, and they don't do the end product justice in terms of color + richness.

THE TEAM
Planner/Stylist: Frank J. Andonoplas, MBC | FrankEventDesign.com
Floral: Anna Held Flower Shop | annaheldflorist.com
Cake: Bittersweet | bittersweetpastry.com
Monogram, Invitations + Event Collateral: Design With Chon | designwithchon.com
Linens: BB&J Linen | bbjlinen.com
Rentals: Tablescapes | Tablescapes.com
Lighting: Yanni Design Studio | yannidesignstudio.com
Chairs: Classic Party Rentals | ClassicPartyRentals.com

I must say, Frank did a superb execution embracing the whole Art Deco meeting the Old Hollywood Glam. You totally feel it when you see and step into the environmental space with all its details. I love the eclectic look and how he carefully mixed metal tones (silver, gold + black) and glassware (clear, black + white) together to create a totally original design. Just in my few hours with Frank on set, I learned a few things about event design, and I hope to learn many more from him in the future. Great job everyone + I hope to cross paths with all these great vendors again!

Click here to see more behind the scenes images to the CSW Magazine photo shoot.

DWC Work: Basement Renovations Cont.

It's a GO! Permit has been approved + things are about to get dirty. The husband and I cleaned out the basement, some items went to the Salvation Army, and now I need to get rid of the darn weight bench that you see in our future "Office Area". I thought it would be fun to document the whole process of the basement remodeling. So here are initial pics of the basement as it exists currently. Bare, raw + ugly. Looking forward to what it will be in a month!

[Art Studio Room - Currently]

Since my April blog post, I decided to change up a few details for my Art Studio. I wanted to really push the envelope in contrasting patterns. Plus, as I was hunting for my grasscloth wallpaper that is covering most of the walls in the living/office area, I found this fabulous Johnathan Adler-like print. You can see it below in the geometric, chain link design in grey. Before I called the Art Studio Room "Barnyard Funk", but it is now "Industrial Chic". I swapped out the whitewashed wood finished with a soft yellow beech wood tone, kept the industrial pendant lamp, brought in more industrial exposed metal in the shelving/desk legs, and pulled out the bold accent color into a few more furnishings and a splash of it on one wall, too.

[Art Studio Room - Moodboard]

[Art Studio Room - Diagrams]

And here's the rest of the basement unfinished...

[Living/Entertainment Area]

[Office Area]

Again. A reminder. Weight bench above is for sale — best offer! You have to pick it up, of course. In the NW burbs of Chicago. Email me at designwithchon[at]gmail.com if you're interested + share it with anyone you might know who wants to buff up for the beaches this summer. I will be putting it on Craigslist shortly.

[Storage/Utility Room]

Once the 2x4s are up and drywall is in place, you won't be seeing the storage/utility space directly like you see it in the above pic. It will all be hidden and tons of extra space for storage. 

Rings to Fancy Over

I was suppose to share this post over 3 weeks ago, but never got around to arranging all my fave ring cuts + styles. But now it's done and ready for viewing. I compiled a collection of traditional to the alternative girl for engagement ring styles. These are the ones that catch my in terms of good design and what seems to be the trend for the year.

The classic, single solitaire white diamond ring is and will always be in style so men you can't go wrong there. But if you're future fiance seeks something unique and with a little color, there are ways around it by going with a different cut from the standard round, opting for a colored stone and/or intermixing metal tones.

For stone cuts, I love the vintage influence, but incorporated in a modern way. Some of my favorite cuts are the Asscher, Cushion, Oval and Emerald shapes. And depending on your taste, each of these cuts would be beautiful with a clean, thin band. Or if you're looking to add some character to the ring, embellish the main center stone with pave or small diamonds surrounding the main stone. Braided and woven-like bands are pretty hot right now, too. There are tons of samples of this technique featured in all these pics whether it's a bezel setting or a pronged look.

[White Diamonds – Round + Oval Cuts]

Quite a few individuals don't like to mix two different metal tones together, and I was one of them at one point, until I found some really good examples of where its done well. Like the ring above oval cut white diamond above encased by a thin gold band and smaller diamonds. It's a nice little touch.

[Champagne + White – Asscher Cut]

[Precious Stones – Oval, Emerald + Pear Cuts]

I prefer some color + contrast in a ring even if you can't get a colored diamond. There are some amazing colored precious stones out there that allow you to afford a larger setting. Kate Middleton, the Duchess of Cambridge, received a beautiful sapphire ring for her engagement. Have a look at the Art Deco inspired ring above in the upper left hand corner, I am just in love with the symmetry and the design between the blue and white stones.

How about a deep Emerald green or a Pink tourmaline? Or going for the dirty diamond like the Champagne + Brown hues featured below. Do you think you can pull off a bold, Black diamond? I know I would rock it. :)

[Champagne/Brown Diamonds – Oval, Round + Emerald Cuts]

[Black Diamonds – Round Cut]

There are so many styles, shapes and colors out there to choose from, and it can get overwhelming, but start with something you or she will love such as a specific color or shape, determine your budget, and customize the setting to reflect her personality. And don't forget men, you can get a nice ring, too. How about a matching band that has the same colored stone incorporated into the design, like the black bands above that match the black diamond engagement ring. Aren't they the perfect pair or what?

[Pearl – Natural Oval + Round Shape]